Text for Looming Score 29/10/2019 this a work of Emulsion using, quoting, clashing 2 different texts from extreme sources
Ad-dressing 10 things the Literature love
If nakedness is unruly and disruptive,
This would seem to indicate that
Tweeds, checks, and tartans
Dress is a fundamental aspect of microsocial order.
This season’s must-haves are
When we dress we do so to make our bodies acceptable to study in perfect pattern play.
Social situation Given social order it seems, There is no need to be matchy matchy.
Mixing your tweeds gives strange to find little discussion of dress within Sociology and other disciplines With this traditional fabric. That have been concerned On both a macro and a micro level, With thoroughly modern Edge.
In the work of Parsons and Goffman, this would seem strange Given that gives a sensual twist The force of pressure on body To conform has a moral imperative to it as well The sheer layer, As seen on catwalks from Balmain to Valntino Dressed inappropriately.
The emergence of a sociology of the body in the last twenty years This season’s opaque would seem an obvious place to look for literature on dress and fashion, but, Tights Go with everything as with mainstream sociology, it too has also tended not to examine Dress.
Dress lies at the margins of the Unexpected colour combination body and marks the Bold accessories takes boundary between This season’s self and other, Suits to individual and society.
This boundary is New heights of intimate and personal chic, since our dress forms the Citrus twist visible envelope Bright pops of the self and, as Davis puts it, Tangerine and lemon comes “to serve as a kind of visual Instantly lift metaphor for identity”.
All navy ensemble is also social, since our dress Go to great length structured by social forces and subject to Juxtapose a lady like social and moral pressures. If, as Mary Douglas Midi hemline Has so forcefully demonstrated the Show stopping boundaries of the body.
Knee boots are dangerous, therefore For a little extra edge no surprise that clothing like other forms of adornment Are all in the details , which operate at these “leaky” margins, A sumptuous subject to social regulation Velvet shoulder And moral pronouncements.
Bag no surprise either to find individuals And glossy leather concerned with what to hang at these margins.
Douglas articulates this relationship Add sophistication between the individual body Polish to a simple indigo, and the social forces Skirt-suit Pressing on it.
Arguing that there are two bodies
Tone on tone:
the physical body and the
Social body, She summarizes
Isn't all black and white.
the relationship between them symbols in Natural Shades of red.
“the social body
Look equally elegant
Constraints the way physical body is perceived. Worn head to The physical toe, experience of the body. Boxing clever always modified by the social categories A structure top through which it is known, Handle bag sustains a particular Looks the business view of society.
There is a continual exchange of meanings With a co-ordinated between the two kinds of bodily Outfit. experience so that each Just add sunshine reinforcing the categories of the other.”
A yellow Kashmir coat According to Douglas, “the body is capable of furnishing, Instantly enlivens a natural system of symbols”. Sober suiting means that the body is a highly restricted medium And keeps a relaxed of expression, since it is heavily mediated by Silhouette from Culture and expresses the social pressure Feeling overly casual brought to bear on it.
Indeed, the body Makes a statement becomes a symbol of Slip in a pair of its cultural location.
She gives the example of
arguing that the social situation
determines the degree to which
body can laugh: the looser the
social constraints, the more
Material comfort free the body to laugh out loud.
In this way, the body and its functions
Swap wool for cord,
Worn with a
symbolically articulate concerns,
Silk the particular Group in blouse, For sensuous which it is found.
Her analysis Takes on hair also, traditionally Tailoring illustrates relationship between the Perfect canvas and the body and the situation.